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I have for some years been very interested to research how generative artists’ work will eventually have an influence on how architectural methodology can borrow from it, and be subsequently developed using this process. Action painting and drip painting of Pollock, how this has evolved to influence chance or generative art as in the work of Brian Eno, the transitional work using compression techniques of Douglas Gordon’s videos and Simon Reilly’s time warp installations are all clues to how architecture can be engaged in similar philosophical framework.

The thought provoking question: is generative art degenerative or vice versa, and is video a form of art or art can be digitized and fashioned into non conventional formats without degenerating the value of conformist art itself.

huatlim

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