Archive for the 'compressions' Category

simon reilly

Generative art is best appreciated through Simon Reilly’s Still Life, and the disturbingly beautiful Mind’s Eye videos. Played through between 6 to 10 minutes, these images are slowly replayed in compression modes or stretched to fill a certain space within one’s minds. Gordon’s work is not dissimilar, and decides to show a western played over a period of over 5 years, this can seen at the Telenor Centre, Oslo.

huatlim

generative art

I have for some years been very interested to research how generative artists’ work will eventually have an influence on how architectural methodology can borrow from it, and be subsequently developed using this process. Action painting and drip painting of Pollock, how this has evolved to influence chance or generative art as in the work of Brian Eno, the transitional work using compression techniques of Douglas Gordon’s videos and Simon Reilly’s time warp installations are all clues to how architecture can be engaged in similar philosophical framework.

huatlim



view my portfolio:
coroflot.com/huatlim

on philosophy

" Thinking is a form of [conscious] action, a necessary precursor to making something beautiful."

Huat LIM

on design

"Design may indeed be complex, but I could not yet imagine it to be complicated...A work can be torturously complex, extravagant, excessively vulgar even…or it can be so simple and plain, almost to the point where it is devoid of any embellishment or decoration, I wouldn’t have an issue with either, but when it is neither that it is considered utterly mundane and ugly."

Huat LIM

on architecture

Yet there is still a little problem I have to solve in my head, and that is that I think architecture is taking a bit too long to becoming like what good art is, generative and always assuming an emotive role. We have yet to make it possible for us to connect to our buildings as easily as we do with a work of art or a piece of music, or things we adore, like our children or our books.

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